Showing posts with label Alice In Wonderland. Show all posts
Showing posts with label Alice In Wonderland. Show all posts

Saturday, April 2, 2016

FASHIONABLE FAIRY TALES


Dom's look: Don't call her 'Tink.'
Once again, it was all about fairy tales Thursday night on Project Runway All Stars.

It was only last September when the regular Project Runway (as opposed to the various Lite and Unleaded versions they now show pretty continuously between seasons) featured a challenge inspired by the hit musical Finding Neverland—a challenge won by a designer riffing on CaptainHook!

So, Thursday night, the challenge for each designer was to take a "literary heroine" and design something modern and fashionable inspired by that character's persona and backstory. 

Character names were drawn out of a bag, with one given to each designer. And it quickly became apparent that all these literary characters were all fairy-tale protagonists.

Which is fine with me; I've been adulterating fairy tales for years! And I applaud any pop culture institution that keeps these eternal tales in the limelight.

Kini's Alice: party in the back.
But it was also just as apparent that all these characters were specifically the Disney version of fairy-tale heroines. How do I know? One of them was "Belle," which was never used as a proper name for the heroine in Beauty and the Beast until the Disney version.

(French versions called La Belle et la Bete, like the Jean Cocteau movie, don't count, since "belle" simply means "beauty" in French.)

As usual, designers responded to the challenge with varying degrees of success. My favorite was Dom Streater, who was given Tinker Bell, described as a punky, impish girl hanging out with a bunch of London street boys. Dom nailed it with patterns and attitude (above). 

I wouldn't wear it, but she totally got the challenge.

I also liked Kini Zamora's riff on Alice in Wonderland—decorous in front, with that demure white collar (wait, isn't that what's usually called a "Peter Pan collar?"), but a crazy touch of Wonderland absurdity in the back with that outrageous, pink-lined ruffle. (One judge called it a "dress mullet.") 

What I really love about it is the white ankle socks in black heels—so perfect for Alice! (A too literal rendition of the classic Tenniel illustrations with white stockings and black flats just wouldn't have had the same panache.)

Neither of these won, of course; I remain undefeated in my inability to think like a PR judge. The winner was Asha Daniel's take on Rapunzel. Not a bad design of itself, but she didn't glom onto the potential of the challenge with the same verve as the other two. 

Asha's look: Towering.
(Although her outfit's columnar shape does sort of look like the tower itself, especially from the back, with Rapunzels long blonde braid hanging down.)

Btw, the dress for Belle didn't really work; nor did designer Layana Aguilar's explanation that she designed it so Belle could wear it when she was whisked off to Argentina to watch a polo match. 

In embroidering this scenario, Layana once referred to Belle's "husband" taking her off on this jaunt. But I think (and I'd have to watch the replay to be sure) that the second time, Layana called him "Beast."

And if "Belle" and Beast (not the Prince he turns into, but Beast himself) jet-setting off to Argentina together as a couple is an acceptable concept, I may be onto something in my own upcoming novel—where Beast gets to be the hero in his own tale!

Wednesday, December 29, 2010

A YEAR IN THE DARK


Top 10 Movies of 2010


Yes, the economy still sucks, and universal health care is still a dream, but in one crucial way, things were looking up in 2010: I had multiple 4-star movies to choose from in compiling my annual Top 10 list. (Unlike last year, when I only saw one movie I considered 4-star-worthy, and that was a cartoon.)

Of course, most of the movies I loved this year were small and independent, demonstrating once again the inverse relationship between gigantic Hollywood budgets and quality. These may not have been the biggest, most influential movies of the year, but they're the ones I loved to pieces, well worth tracking down if you'd like to stage your own personal 2010 Film Retrospective.

ALICE IN WONDERLAND
ONDINE
NEVER LET ME GO
NOWHERE BOY
EXIT THROUGH THE GIFT SHOP
TOY STORY 3D
'THE GIRL WHO' TRILOGY
THE KING'S SPEECH
WINTER'S BONE
THE COMPLETE METROPOLIS

Read all the gory details, including runners-up and honorable mentions, here.


TOP 10 MOVIES of the DECADE

The completion of 2010 also gives a compulsive list-maker like moi another chance to applaud the best movies of the decade, according to the highly exclusive and opinionated Jensen-ometer. Okay, there's plenty we'd like to forget about the past ten years, but at least the era produced some truly unforgettable movies. For those of you keeping score at home, here are my favorites:

THE NEW WORLD (2005) Terrence Malick rescues the founding of Jamestown Colony from musty high-school history textbooks and turns it into a visionary stranger-in-a-strange-land epic that teems with hypnotic grandeur, aria-like interior monologues, simmering suspense, erotic discovery, and awed reverence for the natural world.

CROUCHING TIGER, HIDDEN DRAGON (2000) From a pulpy martial arts novel, Ang Lee crafts a moral fable of exquisite beauty and pathos.

THE FALL (2008) Part fairy tale, and part coming-of-age drama, this virtuoso performance from director Tarsem combines stunning visual beauty and a beguiling story in an artful homage to both the early days of moviemaking, and the power of storytelling itself.

TITUS (1999—but I didn't see it until 2000) Nobody who loves movies should miss Julie Taymor's riveting adaptation of Shakespeare's earliest and bloodiest tragedy. Taymor blithely mixes eras and genres, anachronisms, violence and unexpected lyricism in a Gothic Moderne visual style that's a feast for the eyes while enhancing the tale's anti-war timelessness.

MEMENTO (2001) Everything you think you know about narrative, chronology and suspense goes out the window in this edgy and audacious neo-noir thriller from Christopher Nolan.

GIRL ON THE BRIDGE (2000) Love, luck and destiny converge in this soulful romantic mood piece from French filmmaker Patrice Leconte, shot in intimate, dazzling black-and-white with wry humor and a touch of magic realism.

RIVERS AND TIDES (2002) Environmental artist Andy Goldsworthy's intoxicating, soul-stirring work captured by filmmaker Thomas Riedelsheimer with all its inspirational grandeur intact. Guaranteed to jump-start your own creative muse.

A VERY LONG ENGAGEMENT (2004) Jean-Pierre Jeunet’s ambitious masterpiece tackles the insanity of warfare and the larger, more complex story of the women left behind, in an intricate mosaic of a movie: droll, magical, heartbreaking and profound.

PAN'S LABYRINTH (2006) Mexican filmmaker Guillermo del Toro's dark, gripping adult fairy tale, set in the grim aftermath of the Spanish Civil War, is a haunting parable about the transformative power of human imagination.

TOGETHER (2003) Chinese filmmaker Chen Kaige is not playing the same old song in this deeply-felt and richly observed coming-of-age tale of love and music in post-Mao China.

Worthy Runners-Up:
GOOD NIGHT AND GOOD LUCK (2005)
NOWHERE IN AFRICA (2003)
WATER (2006)
ATONEMENT (2007)

Performance of the Decade: Heath Ledger, Brokeback Mountain (2006)