Monday, July 9, 2018
Tune in your earbuds for all things Beast this week as I take to the radio airwaves to talk about my brand new book — Beast A Tale of Love and Revenge!
Lucky me, I get to visit two of my favorite local radio folk in their natural habitats.
Tomorrow, Tuesday, July 10 — my publication day! — I'll be the guest of my longtime pal and frequent co-conspirator, the inimitable Bruce Bratton on his show, Universal Grapevine, broadcasting from high in the redwoods overlooking the UCSC campus.
Showtime is 7 pm, at KZSC, 88.1 on your FM dial, or listen online.
Bright and early the next morning, Wednesday, July 11, I go live with the effervescent Rosemary Chalmers at KSCO (AM 1080, or online).
My segment starts at 8:40 in the morning, and continues until they drag us off the air for having too much fun!
Please, support local radio and lend an ear!
Sunday, July 8, 2018
My Beast! The true hero of Beast: A Tale of Love and Revenge.
To celebrate the imminent publication of my novel (this Tuesday, July 10!), I am thrilled to offer up the prologue of my story. Just to get you in the mood.
It wasn't all the witch's fault.
She was just the one he saw as his spine hunched forward, as claws sprang out of the furry paws that had been his elegant hands only moments before, as long tendrils of mane erupted out over his eyes.
"What have you done to me, Witch?" he bellowed, although it was difficult to understand him with the lengthening of his snout.
"I have done nothing," she told him, with a coolness I had to admire, as if he weren't crouching before her with animal horns and shaggy pointed ears sprouting from his head and long rows of raptor feathers cascading down his back. "This is the truth of who you are inside."
"Change me back!" he thundered.
"I cannot," she told him. "That power lies with you, not me."
Well, that wasn't the whole truth. I had something to do with it, although even I didn't know it at the time. So I was surprised when the witch suddenly turned to me in her awful majesty. "And you, girl. What do you want?"
"I want to see him suffer," I breathed. I was drunk on my own hatred, more powerful than anything I had ever felt before.
"As you wish," she said, and that was the end of it. And the beginning.
I didn't know then the journey I was on, could never have imagined any power that burned brighter than hate.
I had so much to learn from the beast.
Until she came.
Tuesday, July 3, 2018
|Mystic Portal by James Aschbacher. What lies beyond?|
Then, one morning, she wakes up to hear her husband in the shower, warbling away as if nothing has happened.
I don't think I'm in that movie.
Brendan Fraser stars in another movie as an underground cartoonist in a coma who goes on a series of wild adventures with the nutty characters teeming inside his brain in a desperate effort to manifest some kind of visible brain activity before his grieving wife can be talked into pulling the plug. Finally, at the last possible second, he succeeds.
I'm not in that movie either.
(Although it's delightful to think of my Art Boy in some unknowable limbo, cavorting with the creatures of his imagination — pink bunnies, hula kitties, and all!)
I'm not expecting James to start talking to me through Whoopi Goldberg, or pouring me nips of bubbly like George and Marian Kirby in the old Topper TV series. (Although that would be just like him!)
And I can't quite imagine him perched broodingly on a rooftop somewhere, gazing down at the bustle of human activity below, like Bruno Ganz in Wings of Desire.
James never brooded!
So what do I imagine instead?
I don't know.
No one knows what lies beyond the mystic portal after you leave this life. Way smarter minds than mine have grappled with this question, and they don't know any more about it than I do.
Friends and family of a Christian nature tell me that God called James early because He needed some laughter around the place. But it's difficult for me to think of my Art Boy draped in a sheet, playing a harp, joining the Heavenly Host.
Besides, I wasn't done with James yet. Couldn't God have waited His turn?
Some Eastern cultures believe that soul mates journey endlessly through time, living out entire new lifetimes — from infancy to old age, over and over again — hoping to meet up with each other again. But reincarnation seems like an awfully long and arduous process to me.
(I mean, who wants to keep going through the eighth grade?)
I recently caught up with Coco, in which a living child crosses the bridge into the land of the dead to find a non-stop party going on — feasts, flowers, mariachi bands, the works!
But there's an expiration date for the dearly departed. If the time ever comes that no one alive remembers them, the party's over: they vanish forever. The child has to get back to the land of the living in time to honor his ancestor on the Dia de los Muertos altar so he won't be forgotten.
That's is my idea of an afterlife — music, food and fun! A place where the beloved departed are kept eternally alive by the memories of everyone who loved them.
Monday, July 2, 2018
The movie not only celebrates Westwood's revolutionary clothes, but her rebel spirit as well — along with her fascinating career.
While she started out making confrontational stage clothes for the Sex Pistols, Westwood nurtured her craft and her fashion identity over the next four-plus decades, going on to win Britain's prestigious Designer of the Year award for two years in a row.
A working-class English girl who couldn't afford to go to art school, she ditched an early marriage that was too confining, and, with two young sons to support, starting selling hand-made clothing out of the back of a record shop on King's Road in London.
Her partner (business and otherwise) in this venture was provocateur Malcolm McLaren, who would go on to manage the New York Dolls and the Sex Pistols.
As Westwood says, "Everything I design has to have a story."
When Westwood saw her impudent designs and spiky haircuts being copied on the runways in Milan and New York, she realized that punk was over as a cultural moment.
She decided that if anyone was going to succeed with her distinctive clothing style it was going to be herself, and entered the fashion business on her own terms.
Today, her smart mix of fabrics, textures and patterns, and a new androgynous line to be worn by any and all genders, are right on point with the times. Westwood is proof that fashion and political audacity have no age limit.
(Read more in this week's Good Times)