SPY vs SPY

As irony would have it, this week marks the 18th anniversary of the terrorist attack on the World Trade Center. This was the pretext the George W. Bush administration claimed for launching the U.S. war on Iraq — a pretext that soon proved to be completely erroneous.

The dogged US insistence that Iraq possessed weapons of mass destruction that put lives at risk, globally, was the only tenuous thread by which the invasion of Iraq might be legitimized on the world stage. Of course, no WMDs were ever discovered, but by then, one of the most devastating and entirely illegal wars in which U.S. troops (among many others) have ever bled and died was well underway.

All of which provides background for Official Secrets. There's nothing slick or flashy about Gavin Hood's tightly constructed and efficient suspense drama. Less a conventional thriller than what you might call an investigative procedural, it zeroes in on a few intrepid individuals facing tough moral choices when they begin to uncover the campaign of misinformation and manipulation the U.S. is using to sell the war.

Smith as reporter Martin Bright: back when the truth mattered

The movie tells the true story of Katharine Gun, an unassuming translator with Britain's information-gathering GCHQ (Government Communications Headquarters), whose decision to leak a sensitive memo to the press got her hauled up on charges of violating the Official Secrets Act in September, 2003.

Katharine is played with stoic determination by Keira Knightley. Although fearful of the consequences, she's so outraged at how the public is being misled in the rush to war, she stands by her actions and her principles all the way to the Queen's Bench.


Ralph Fiennes is terrific, as usual, as Katharine's lawyer, Ben Emmerson, an expert in human rights and international law. Other familiar faces doing a stand-up job are Matt Smith as Martin Bright, the reporter for The Observer who broke the story, Conleth Hill (Lord Varys from Game Of Thrones), unrecognizable as Bright’s  feisty, foul-mouthed newspaper editor, and Jack Farthing (the odious villain in Poldark) as Katharine's chipper cubicle-mate at GCHQ.

In a way, the movie almost makes one nostalgic for the Bush era, when the revelation of such bald-faced lying and corruption still had the power to incite outrage and moral courage.

Those were the days.
(Read more in this week's Good Times)

FRENCH TWIST

Country girl becomes celebrated author in lively Colette

Even for an era of such artistic and cultural ferment as the turn of the last century, famed French author Colette led an extraordinary life. She was a country girl dominated by a sophisticated husband who became the toast of Paris for her wildly successful, trendsetting novels.

She was also a music hall performer who scandalized the public, a sexual adventuress who loved men and women, a cross-dresser, and an accidental advocate for equality who had to fight for the right to publish her work under her own name.

Her melodramatic life was always tempered by her wit and wry self-knowledge in her books, reviews, and voluminous letters to friends and family. In his biographical feature, Colette, filmmaker Wash Westmoreland sticks to her early years in Paris, during the metamorphosis by which she would eventually turn herself into the celebrated author.

Reel life: Knightley, West

As portrayed by Keira Knightly, this Colette is all good-humored innocence and coltish bravado. The film ends just as she's about to launch herself back into the world on her own terms, so we never get a sense of the wry wisdom of the author's maturity, but Knightley is appealing as an awakening personality in the making.

The movie begins in 1892, in the remote French country village of Saint-Sauveur. 19-year-old Sidonie-Gabrielle Colette (Knightley), her beloved mother, Sido (Fiona Shaw), and her father, are entertaining Willy (Dominic West), a renowned magazine writer and critic from Paris, whose father knew Colette's father in the military. Within a year, Willy and Colette are married and living in Paris.

There she discovers that "Willy" is a cottage industry; he employs other writers to crank out the work that appears in the press under his name. To stave off creditors, her husband decides "Willy" should write a novel, and assigns the task to Colette. When he physically locks her in her study to work, she starts writing about her own schooldays.

Willy, Colette: out of the shadows

The book, Claudine At School, is an immediate bestseller. Together with its three sequels, it influences a generation of young women, who copy Claudine's clothes and hair, bathe with "Claudine" soap, and nibble "Claudine" chocolates. But the books all come out under the name of "Willy," who refuses to compromise his "brand" by allowing Colette to take credit for her own work.

No feature-length movie could do more than scratch the surface of the real-life Colette's long, rich, and productive life (she died in 1954 at age 81), or include her expansive circle of friends, artists, writers, mentors and devotees. But the movie looks beautiful (largely shot in old-world Budapest), and Knightly captures enough of Colette's rebel spirit of adventure to encourage viewers to explore the rest of her fascinating story.

(Read more)

I’m such a sucker for this era of wild experimentation before WWI. Matisse and Picasso were reinventing the world, the Arts and Crafts Movement was redesigning furniture, and women were cutting there hair, agitating for the right to vote, exploring their inner lives, and remaking themselves outside of their husband’s shadows.

There are so many luscious period details in Westmoreland’s movie, you can’t take them in all at once. Just look a the chair back and draperies in this shot of Knightley’s Colette at work at her desk — yow!

Every detail is perfect.

Meanwhile, here’s a companion photo of the real-life Colette at work on the Claudine novels.

At this point, she is still in the prim collar and upswept hair of her early years with Willy. She still had a way to go before morphing into the scandalous, yet acclaimed author beloved for such popular novels as Cherie, and — much later in life — Gigi.

But you can see by her determined chin and serious demeanor that she’s on her way!