ALL DOLLED UP

As we all know, Oscar Season isn't complete without the Return of the (dreaded) Oscar Barbies! Yes, I got out the ol' doll trunks once again on Sunday morning before the show and cast a few of my old dolls as this year's Best Actress nominees.

In Oscar Barbie Land, it's all about the props. Most fun to do was Reese Witherspoon's character in Wild, the inexperienced hiker with her gigantic "Packzilla." A beat-up old khaki make-up pouch I found in the back of a drawer stands in for the backpack.

(And many thanks to Art Boy for figuring out how to attach it to her!)

All the other items are vintage Barbie accessories—which is why her hiking boots are (cringe) bubblegum pink! Not everything in the Barbie universe had to be pink, back in the early 60s, when the doll first came on the market: notice the road map, cookpot and sneakers. Once upon a time, she was chic, but that was before she started hanging out with those tarty Disney Princess dolls.

Here's the rest of the lineup: Marion Cotillard clutching her pink slip in Two Days, One Night, Felicity Jones, in a perfectly vintage '60s outfit in The Theory of Everything, and winner Julianne Moore, trying to hold on to her memory in Still Alice.

The fifth nominee was the easiest: Gone Girl.

In other news, 6 out of my top 8 Oscar predictions were right on this year.

(I was actually 10 for 12, if you count the four extra titles I cited in my Miscellany category.
Although my plug for Ida was not technically a prediction, it was more like wishful thinking. Anyway, I'm thrilled that it won!))

Unfortunately, the two categories I glaringly missed were Best Picture and Best Director. D'oh!

I should know by now to stick to the trail of the pre-Oscar craft guild awards; that's how I've managed to look so smart these last few years. The 2015 Oscars aligned with the guild winners right on schedule, including the wins for Alejandro González Iñárritu (Directors Guild) and Birdman (Producers Guild).

But this year I was really pulling for my favorite (Boyhood), so I ignored my own sage advice. Next year I’ll be back on my game!

Curtain call for the entire 2015 lineup

THE (OSCAR) GAME IS AFOOT

Only Sherlock could predict this year's Academy Award winners

Okay, it's that time of year when I typically dazzle readers with my Sherlockian deductive powers and predict the upcoming Academy Award winners. But the cold, hard truth is, by the time all the Hollywood craft guilds—directors (DGA), producers (PGA), writers (WGA), and screen actors (SAG)—have weighed in with their own pre-Oscar award ceremonies, not to mention the pre-game warmup show of the Golden Globes last month, it's pretty easy to follow the trends and pick the front-runners.

But not this year.

I wouldn't say all bets are off; there are clear favorites in three out of the four acting categories. But the battle for some of the top prizes is turning into an epic slugfest. between two (or three) very tough and worthy competitors. Nobody gets a cakewalk this year, including me; I really have to put my so-called deductive powers to the test. So here goes:

Ellar Coltrane grows up before our eyes in Boyhood

 BEST PICTURE Boyhood. Of the eight nominees, we can eliminate the four films whose directors were not nominated in their category—which (surprisingly) includes Clint Eastwood for American Sniper, even though it's made a ton of moolah at the box office these last few weeks.

There's a chance Birdman might still fly off with the gold

A month ago, Boyhood was a slam-dunk for the gold. Director Richard Linklater's completely original concept redefines the process of filmmaking and the art of storytelling in audacious new ways. But its biggest challenger, Birdman, has come on strong in the post-season awards. You can see why Hollywood loves Birdman—it's all about showbiz and acting, the cult of celebrity, and the cultural impact—for good or ill—of the movies. Its director, Alejandro González Iñárritu, has already been anointed with a DGA award, the film won for Best Ensemble at the SAGs, and craft guild members also vote for the Oscars.

Still, I'm voting my heart on this one. Yes, Birdman is wildly entertaining. But Boyhood offers a resonant glimpse into modern family life that will endure, in addition to its amazing contribution to the craft of making cinema.

Chalk up a victory for Eddie Redmayne

BEST DIRECTOR  Richard Linklater, Boyhood. Even more than usual this year, these two categories are joined at the hip, as both Boyhood and Birdman represent such singular director's visions. Most egregious omission in this category? Ava DuVernay, for her extraordinarily powerful and accomplished handling of Best Picture nominee Selma.
   
BEST ACTOR Eddie Redmayne, The Theory of Everything. Redmayne has the buzz (and, significantly, the SAG award) for his precise and nuanced turn as Dr. Stephen Hawking, no matter how the Birdman/Boyhood smackdown plays out.

Julianne Moore: it's finally her turn

BEST ACTRESS Julianne Moore, Still Alice. This is the only sure thing in the big four categories. Moore has already won every other prize for her performance as a woman coping with Early-Onset Alzheimer's. And with four previous nominations, it's perceived as her turn to win.   

BEST SUPPORTING ACTOR J. K. Simmons, Whiplash. Like, Moore, he's already won all the preliminary prizes.

BEST SUPPORTING ACTRESS Patricia Arquette, Boyhood. As a divorced mom raising two kids, Arquette brings plucky, real-life-sized humanity to this film, and has been recognized for it at all the early award shows.

Family gal: Arquette in Boyhood

BEST ORIGINAL SCREENPLAY Birdman. This wry, well-crafted screenplay deserves to edge out Boyhood in this category. (Linklater's film doesn't feel scripted—which, of course, is a large part of its charm.) And since Iñárritu also co-wrote the script, this is the Academy's best chance to give him his Oscar if he's aced out of the directing prize.

BEST ADAPTED SCREENPLAY The Imitation Game. It's popular enough to be nominated in eight categories, and this is the best chance the Alan Turing codebreaking biopic has at striking gold.   

MISCELLANY The only Foreign Language Film nominee I saw was Ida, which I adored, so I'm rooting for it, even if I can't predict this category. The much-nominated Grand Budapest Hotel looks poised to win the Costume and Production Design awards, but Birdman should fly off with the Cinematography prize. And since I saw none of the Animated Feature nominees, you guys are on your own for that one!

(The 87th Annual Academy Awards airs Sunday, February 22, 5 p.m. on ABC.)

MIRACLE GROW

Actors age in real time in audacious, mesmerizing 'Boyhood'

Remember the 1964 film 7 Up? It was the first in a series of extraordinary documentaries that profiled a classroom of seven-year-old British kids, who were then revisited and filmed by director Michael Apted at seven-year intervals to see how their lives were turning out. (They were 56 in 2012, when Apted last checked in.)

The evolution of lives and stories in real time is not something the movies often do. In fiction films, especially, stories are telescoped into dramatic highlights with actors of various ages playing the same part at different stages of life.

Which is why Richard Linklater's Boyhood is so refreshingly audacious. Linklater had the simple, yet brilliant idea to shoot a scripted film over a period of 12 years, allowing his cast—including his child protagonists—to age naturally onscreen.

Ellar Coltrane (in the central role of Mason) was seven years old when the film started shooting in 2002, and 18 when it wrapped last year. One minute, little Mason is sniggering over a lingerie catalogue with his schoolyard buddies, then he's encountering bullies, experiencing his first fast-food job and the first stirrings of romance, and waxing philosophical about robotic mind control and the meaning of life. Nothing much remarkable occurs as the narrative evolves, but it all feels so achingly true.

Ellar Coltrane grows up before our eyes

 Ethan Hawke and Patricia Arquette are both excellent as Mason's divorced parents. It sounds like a stunt, but watching these characters grow up before our eyes (including the adults ), makes for a bold, moving, and utterly mesmerizing moviegoing experience. (Read more)