Showing posts with label Diana Gabaldon. Show all posts
Showing posts with label Diana Gabaldon. Show all posts

Sunday, August 2, 2015

4 JACKS AND A JAMIE

"You can't spit on board a ship and not hit eight fellows called 'Jack.'"

So says the pirate hero of my first swashbuckling novel The Witch From The Sea. My Jack chooses the name for anonymity in his dubious trade, as he explains to my heroine, runaway and accidental pirate-in-training Tory Lightfoot.

In swashbuckling fiction, on land as well as sea, characters named Jack seem to have all the fun. (Unless they're named James, like my other pirate hero, James Hook.) I'm partial to my Jack, of course, but since it's summer reading season, here are some of my other favorite literary rakes and rogues named Jack, with one more Jamie thrown in. Enjoy!

MASTER AND COMMANDER  The first volume in Patrick O'Brian's beloved 20-volume adventure series introduces Captain Jack Aubrey of the Royal Navy, and his best friend and shipmate, Dr. Stephen Maturin, Irish-Catalan surgeon, naturalist, and spy.

Called "Lucky Jack" for his genius in out-maneuvering enemy ships and earning prize money (yet all at sea in attempting to manage his financial and social affairs on dry land), big, bluff, hearty Jack and small, dark, wry, and learned Stephen sail all the world's oceans throughout the Napoleonic Wars, facing every sort of peril, in a friendship that deepens and matures over time.

Launched with this book in 1970, the series has become the gold standard of modern seafaring fiction.

JACK ABSOLUTE  In the kind of breakneck adventure for which the term "rollicking" was coined, C. C. Humphreys embroils his protagonist Captain Jack Absolute—onetime officer, full-time rake, and part-time spy—in  a duel, a chase, witty repartee, sex backstage (and onstage) at Theatre Royal Drury Lane, and guest appearances by General Burgoyne AND Richard Brinsley Sheridan. And that's just the first three chapters.

In 1777, Jack and his Mohawk Indian blood brother, Ate, are ordered back to America to serve Britain in the fight against American independence. They soon find themselves battling ferocious colonial militiamen, British incompetence, and their own doubts about which master they serve.
Write what you know: Humpheys as Absolute

 The audacity with which Humphreys purloins a character out of Sheridan's classic stage comedy, The Rivals, for his own devices, is matched only by the skill with which he pulls it off—with plenty of dash, wry cynicism, bloody action, and a surprisingly tender and gripping love story that sneaks in the back door and turns the entire enterprise on its ear.

Actor, swordsman, and fight coordinator Humphreys knows whereof he writes. He first became acquainted with Jack Absolute when he played him in a stage production of The Rivals in 1987; since then, he has shepherded the character through three volumes of adventures, including The Blooding of Jack Absolute, and Absolute Honor.

PLAYING THE JACK  Mary Brown's vivid and ripping romantic adventure has justifiably become a cult favorite among thinking women everywhere. In rural England of the early Napoleonic era, teenage runaway Zoe, disguised as a boy, is discovered in a ditch by a ragged troupe of traveling performers.

Taken in and educated in stagecraft, cunning, and the school of life, eager young Zoe is spellbound by the troupe's leader—wily, enigmatic, flamboyant Jack, a complex, and conflicted man at war with himself who harbors as many secrets as Zoe herself.

From the rollicking start of their relationship on the road, Zoe evolves through a few more incarnations (including boudoir seductress), while the oh-so-fallible, yet noble-hearted Jack drops a few masks of his own, on their way to a climax full of skullduggery and redemption.

Lively dialogue, deeply faceted characters who never stop growing, and a riveting pas de deux between well-matched romantic partners make this an unforgettable (if shamefully unknown) classic.

OUTLANDER With a hit TV adaptation of her first novel on STARZ, Diana Gabaldon needs no introduction from me.

In this first (and arguably best) book in Gabaldon's time-traveling romantic adventure series, Englishwoman Claire Randall, a former nurse in bleak, postwar England, is vacationing in Scotland with her husband, recently returned from the front. At a group of eerie standing stones, she tumbles 200 years back in time to meet the soulmate of her life.

As heroes go, Jamie Fraser is the real deal: moral, courageous, good-humored, compassionate, and sexy in the best way—he doesn't know it. At only 24 years old Jamie is also a virgin—in a nifty twist on the old romance novel cliché about the tremulous virgin bride who has to be mastered by a more experienced husband. But there's nothing tremulous about Jamie; "I'm a virgin, not a monk," he tells Claire.

Packed with tumultuous history, hair-raising action, wry banter, compelling drama, and incendiary love scenes, Outlander is an exhilarating feast of a book.

Wednesday, January 23, 2013

TALKING PICTURES

As a onetime cartoonist, and someone who often storyboards a scene I'm writing so I can see what's going on, I was irresistibly drawn (ahem) to "The Exile: An Outlander Graphic Novel." Scripted by Diana Gabaldon, it's a compacted version of roughly the first third of her popular historical novel, "Outlander" (one of my favorites), illustrated by Hoang Nguyen in hardcover graphic novel format. Except, just to liven things up, this time Gabaldon tells the story from Jamie's viewpoint.

Gabaldon assumes you already know the story, so wastes little time or ink on Claire's backstory, or how she comes to be the woman who fell to Earth in the middle of the 18th Century Scottish Highlands.  The focus is on Jamie, delivered back to Scotland in the dead of night with a price on his head, accosted by a rough-hewn guard of Highlanders, attempting to navigate rugged terrain and dicey clan politics while pursued by his sinister English nemesis, Captain Jack Randall.

But more important than plot here is the seductive invitation to actually see Claire and Jamie's world. (In addition to the gigantic IMAX, 3D, sensurround visuals readers create in our heads while reading, of course.) Marvel and Dark Horse veteran artist Nguyen contributes mood- and mist-drenched images of eerie Highland landscapes and moonlit standing stones, plenty of two-fisted action, pageantry, and character-bonding. And, seriously, who doesn't want a ringside seat for one of Claire and Jamie's epic love scenes?

(Although the blood-spewing brawling, knife fights and shoot-outs get a wee bit over-the-top, in the manner of comic book violence.)

Still, Nguyen manages to infuse a high degree of personality into the main characters' faces. (Although I can't say the same for the other random clansmen in the story, most of whom look alike to me. Even the pivotal Murtagh, Jamie's godfather, isn't always grizzled enough to distinguish him from the pack.)

In this, Nguyen had the benefit of Gabaldon's input, as revealed in the enlightening "Making Of..." section in the back of the book; not surprisingly, the author has very clear ideas of what her characters look like, right down to Jamie's cowlick, and wasn't shy about suggesting subtle changes until the artist "saw" them correctly, too.

In this section too, the editor thoughtfully includes a link to DG's website where you can see the unexpurgated version of that infamous love scene panel. Pretty entertaining all around for seasoned "Outlander" fans.

Btw, I found my copy remaindered at Logos right around Christmastime. There may still be some left!