The Oscars are almost upon us; time for my yearly attempt to pretend I know anything about what Hollywood is thinking.
After last year's #OscarsSoWhite kerfuffle, every acting category this year features at least one person of color, and four out of the nine Best Picture nominees revolve around non-white bread protagonists. Let's hope it's not a temporary reaction, but a genuine trend toward equality and diversity. (Not to mention resistance to the current political climate.)
Meanwhile, let's take a look at who may (or may not) go home with the gold:
BEST PICTURE La La Land. Damien Chazelle's reinvented musical comedy is the one to beat, having already cleaned up at the pre-Oscar awards. Process out the four nominees that didn't win nods for their directors, and it's a five-movie race, including, Hacksaw Ridge, Arrival, Moonlight, and Manchester by the Sea. I'd be just as happy if either of these last two won, but I loved La La Land too.
|And the nominees are . . .|
Perennial contender and SAG winner Denzel Washington (Fences) already has two Oscars; Andrew Garfield (Hacksaw Ridge) is the also-ran.
BEST ACTRESS Isabelle Huppert, Elle. Emma Stone (La La Land) may have some buzz, but she wasn't up against Huppert in any of the pre-season accolades she's won. (They split the Globes for Musical/Comedy and Drama).
Natalie Portman (Jackie), Ruth Negga (Loving), and annual nominee Meryl Streep (Florence Foster Jenkins) round out the category.
BEST SUPPORTING ACTOR Mahershala Ali, Moonlight. This may be the Academy's one chance to honor this much-nominated film, and Ali (my favorite) grounds the movie with his solid, charismatic presence. Upset candidate might be Dev Patel (so appealing in Lion), or maybe even the much-beloved Jeff Bridges (Hell Or High Water), over Lucas Hedges (Manchester by the Sea) and Michael Shannon (Nocturnal Animals).
BEST SUPPORTING ACTRESS Viola Davis, Fences. She's already won all other awards in this category, and she'll persist over a very strong field: Michelle Williams (Manchester by the Sea), Naomie Harris (Moonlight), Nicole Kidman (Lion), and Octavia Spencer (Hidden Figures).
BEST SCRIPT (ORIGINAL) Kenneth Lonergan, Manchester by the Sea. Lonergan so deserves it for his moving story, sophisticated storytelling, and unexpected humor. I think he'll edge out the scriptwriters for La La Land, 20th Century Women, Hell Or High Water, and The Lobster.
|Washington and Davis: now it's HER turn|
BEST SCRIPT (ADAPTED) Luke Davies, Lion. Just a hunch, but this is a popular movie based on an irresistible true story. It might just squeak by over the scripts for Moonlight, Arrival, Fences, and Hidden Figures.
MISC: While I don't perceive the popular La La Land as Oscar bait in the acting or script departments, I'd be very surprised if it didn't dance off with the gold in the music categories: Best Song (probably "City of Stars," because, Hollywood), and Best Original Score. (Although I'd give the latter to Nicholas Bitrell, for Moonlight — especially those edgy string interludes, as profound and immediate as a heartbeat.)
Also, look for La La Land to score for Production Design and Cinematography. But it might lose out in the Best Costume race to Madeline Fontaine's retro-chic 60s clothing in Jackie.
The Academy Awards will be handed out Sunday, February 26. As usal, if my predictions don't pan out, I'll be available the following Monday to blame them on alternative facts.