Tuesday, September 18, 2018

BOY ON THE BRINK

It could almost be a Third World country. The overgrown landscape is lush and green, with rambling, clapboard houses tucked in here and there, and a swimming hole hidden under and outcropping of trees.

It's an Eden for two of three young brothers growing up half-wild in the woods of upstate New York while their parents are preoccupied with each other — but a challenging proving ground for the youngest brother struggling to come of age in We The Animals.

Documentary filmmaker Jeremiah Zagar makes a impressive transition to fictional storytelling. Adapted by Zagar and Dan Kitrosser from the acclaimed novel by Justin Torres, the movie is a lyrical plunge into the subconscious of a boy on the brink of manhood trying to piece together his own identity.

Zagar manages a very deft balance between powerful, evocative visual style and the casual poetry of Torres' narrative voice, using minimalist dialogue, documentary realism, and fanciful animation to tell a simple-seeming, yet complex and moving tale.
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