Monday, April 6, 2020

THE IMPOSSIBLE MEME

Okay, we've all seen that meme: William Shakespeare wrote King Lear while under quarantine in London during the Bubonic plague.

The intention of circulating this (probably relatively true-ish) factoid, of course, is to make us all feel like a bunch of whining slackers. Want to feel even worse? Remember that Anne Frank wrote her famous Diary while hiding from the Nazis in a cramped attic in Amsterdam with her family of four and three other people. For two years. 

The fruits of these labors, composed under impossibly stressful conditions, are inarguably masterpieces, Frank's Diary for its honesty, optimism and compassion, and Lear for its brilliant and enduring insights into the human condition.

So what are the rest of us waiting for? Now that we're all under house arrest, we have nothing but time.

But consider too that Lear is one of Shakespeare's darkest plays, in every respect. It's full of howling storms and furious rages, delusion, betrayal, calamity, madness, folly, treachery and despair. Hard not to see at least a psychological parallel between the work itself and the temper of the times in which it was written.
Colette: Holed up like a Parisienne

So, if I wanted to write something gloomy and despondent, this would be the perfect time to do it! Indeed, there would be no excuse not to spend these grey, wet, solitary days hammering away at the keyboard, grappling angst and uncertainty into something (hopefully) brilliant.

But, no. Me, I'm trying to cobble together a lighthearted romantic comedy, full of magic and music, for Young Adult readers.

It's the second book (although not a sequel) stipulated in my contract for Beast: A Tale of Love and Revenge, which was already too dark and perverse for the general YA readership, according to my Goodreads reviews. This new one is supposed to be fun and upbeat.

Hah.

Blissfully untarnished by reality
Not that it couldn't be done. When the Nazis marched in to occupy France, the celebrated novelist Colette was 67 (the same age I am now), and nearly bedridden. Yet, holed up in her Paris apartment for the duration, she produced Gigi. Harking back to France's golden age of the Belle Epoque, it told the sunny tale of a spirited teenage girl raised to be a courtesan who defies expectations by charming her designated client into marriage.

And I have no doubt that if my Art Boy was still here to shelter in place with me, he would have turned out three or four of his magical paintings by now, and sketches for many more.

His work was always blissfully untarnished by everyday reality; his ideas bubbled up directly out of the teeming wellspring of his own imagination — flying fish, joyous dancing figures, pink bunnies and all. How he would have relished the excuse to stay home and paint all day!

I'm trying to view this temporary (we hope) dystopian sojourn as an opportunity to be relished. That's what James would do! And who knows? If the present coronavirus lockdown stretches on for another eternity, a deep plunge into the imagination might be just the escape I need.



(Above: Act of Creation, James Aschbacher)

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